What defines the colonial relationship between Liberia and Germany? What does this relationship tell us about the larger context of Europe strangling Africa and her people for centuries? In this sensorial and multi-layered performance, Colleen Ndemeh invites audiences to do the work of confronting, remembering, and cracking open — hard shells, old wounds, dusty museum vitrines. Using her framework of the 4 r’s: restitution, reparations, revenge, return, she analyzes the past while staying connected to concrete demands for the present and future. She uses her Kpelle roots as a technology for opening pathways towards what comes next.
What comes after centuries of colonial violence?
(Photographer credit: © Mayra Wallraff)
Creation and Performance: Colleen Ndemeh Fitzgerald
Video editing: Julia Cohen Ribeiro
Sound Design: Nancla
Lighting design: Catalina Fernandez, Lou Oelrich
Video material from: Colleen Ndemeh Fitzgerald, Pablo Werner Pacheco, Klaus Renkin and Ralph Werner
Dramaturgy support: Atabey fka Carlos Maria Romero, hn lyonga, iki yos peña narváez
[60 minutes]
Performance Arcade Festival, Wellington, New Zealand Feb 2026
Tanztage Festival Sophiensæle, Berlin, Germany Jan 2026
House of World Cultures (HKW), Berlin Germany Jan 2025
Uferstudios, Berlin, Germany Nov 2024 (Premiere)
Review: “On a Land of Harm” 21. January 2026, Inky Lee “
Project created in the frame of the Master’s program MA Solo/Dance/Authorship (SODA) at HZT Berlin, a partner of the University of the Arts Berlin (UdK).